PORTRAITURE: INTERPRETIVE AND DOCUMENTARY
There are several mediums available
in which portraits may be created. Most common among these are Photography,
Painting, and Sculpture. By far the most popular is Photographic
Portraiture. Since Portrait Photography is my particular area of
expertise, this article will apply primarily to photographic application.
In Photographic Portraiture there are
two primary genres: Interpretive and Documentary. Within these genres
there are many types and styles. Types include what I call design
parameters such as: Headshots, Full Length, Couples, Baby, high
school Seniors, Engagement, Family, Maternity, and so forth. Styles
are really an individual distinction defined by the artists creating
the portraits.
Black and white and "colorized" black
and white can be considered styles, and certainly when an artist
works exclusively in one or both of those categories it would be
considered their 'style'. However more often, a portrait artist's
style is defined by their use of lighting and composition such that
when a person views a work they will identify it with the artist
by it's distinctive look or style.
By far the most dominant genre of photographic
portraiture is that of Documentary. Documentary portraits are in
the most elementary way described as portraits where the subjects
are looking directly at the camera and smiling. It is the simplest
and easiest, (except in the case of two-year-olds), kind of portrait
to create.
Pretty much every type of portrait
may be made as a Documentary portrait. That is, from family portraits
to professional 'headshot' portraits, to Senior portraits, to Maternity,
to Baby portraits, all may be created in a Documentary way with
the subject looking at the camera and smiling.
Documentary type portraits, while not
terrifically creative, are very useful for many applications. Business
portraits for example are typically Documentary. It is the type
of portraiture all the "Big Box" and "Mall" studios specialize in.
And when a parent takes their children to have portraits made two
or three times a year, the "Mall" studios are convenient and economical.
Interpretive Portraits, while posed
to a certain degree have a much more candid appearance. As indicated
by the classification "Interpretive", this type of portrait has
the ability to display and reveal the personality and interests
of the subject to a much greater degree than Documentary portraits.
Often the subject will be engaged in some activity rather than looking
into the camera lens and smiling. That is not to say that an Interpretive
Portrait precludes the subject from looking at the camera and smiling.
However that is just much less likely in an Interpretive portrait.
Many of the paintings of famous artists
such as Titian, Renoir, Degas, Lautrec, even da Vinci and Rembrandt
and many others were actually Interpretive Portraits. While those
paintings are generally viewed as slices of contemporary life, there
really is no limitation to the creative possibilities with Interpretive
Portraiture.
The creative possibilities are limitless,
but creating a successful Interpretive Portrait places a great deal
of additional responsibility on the artist. As with all commissioned
art, the patron or client must be satisfied with the portrait, so
the interpretation rendered by the artist must meet their criteria.
To that end the artist must have at least some acquaintance with
the subject and their personality. The desired mood portrayed by
the portrait will require forethought and planning. What poses will
best display the personality and mood? What props and activity will
best suit the subject, their personality and interests? Then the
location and the lighting must be considered.
As with all great art, portraits both
of the Documentary and the Interpretive types should appear natural
and effortless. That is to say the work that goes into planning,
preparing and finishing a photograph into a portrait should not
be evident. They should be enjoyed as personal, family art treasures.